2022

Hanrahan, Anna, and K. Rennhak. "Walter Macken’s Adventure Novels and the Young Irish Republic." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 158-75.

Heinen, Sandra. "Looking at Ireland from the Outside: Walter Macken’s novel of migration I Am Alone (1949)." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 125-40.

Heinen, Sandra, and P. Martin-Bodynek. "'It must be wonderful to live in Ireland': Ralph Nelson’s film adaptation of Walter Macken’s Flight of the Doves." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 176-90.

Heinen, Sandra, and K. Rennhak. "Introduction: Walter Macken and the Sensations of the 'Little Man'."   Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 1-12.

Heinen, Sandra, and K. Rennhak, editors. Walter Macken: Critical Perspectives. Cork University Press, 2022. https://www.book2look.com/book/NvXqi8bp6O

Kerski, Eva. "Irish Identity and the 'Tinker' Trope in Walter Macken's Merchant's Road." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 56-73.

Rennhak, Katharina. "Concepts of History and the Little Man’s Nation in Walter Macken’s Historical Trilogy." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 105-24.

Rennhak, Katharina. "Maria Edgeworth, Ormond (1817)." Handbook of the British Novel in the Long Eighteenth Century, edited by Katrin Berndt, and Alessa Johns, de Gruyter, 2022, pp. 499–517.

2021

Becker, Daniel. On the Threshold of Memory: National History and Liminal Remembrance in Contemporary Irish Poetry. WVT, 2021. <https://www.efacis.eu/content/irish-studies-europe-vol-ix-threshold-memory-national-history-and-liminal-remembrance>

Kalthoff, Katharina Andrea, and Leonie Windt-Wetzel: “Endangered Shorelines and Absent Solastalgia in Recent English, Irish, and Northern Irish Short Fiction.” Textpraxis, vol. 19, no. 1, 2021. <URL: https://www.textpraxis.net/katharina-kalthoff-leonie-windt-wetzel-endangered-shorelines, DOI: https://dx.doi.org/10.17879/68079404968>

Rennhak, Katharina. “At the Intersection of Gender Studies and Narratology: Contemporary Irish Women Writing Men.” Diegesis, vol. 10, no. 1, 2021, pp. 31-48.

2019

Kerski, Eva. “Lying as an Economic Strategy in Elizabeth Connor’s Plays The Dark Road and An Apple a Day.” Lügen, täuschen und verstellen, edited by Carmen Ulrich, and Carmen Prüfer, iudicium, 2019, pp. 131-47.

Rennhak, Katharina. „Romantik und Politik in Irland: ‚Nationalgeschichten‘ von Lady Morgan, Maria Edgeworth und Thomas Moore.“ Politisches Denken in der Britischen Romantik, edited by Jürgen Kamm, Nomos, 2019, pp. 223-46.

2018

Becker, Daniel. “14 Lines of Memory: The Sonnet as Memory Genre in Iggy McGovern’s Poetry.” Arbeiten aus Anglistik und Amerikanistik, vol. 42, no. 2, 2018, pp. 101-124.

Becker, Daniel. “The Debris of History: On Waste and The Past in Irish Celtic Tiger Poetry.” Études Irlandaises, vol. 43, no. 2, 2018, pp. 93-109.

2017

Rennhak, Katharina. “Begehrte Jungfräulichkeit: Blumenmotive, Blumenhandlungen und die Defloration in irischen Erzähltexten des 19. Und 20. Jahrhunderts.“ „Da ist ja das Blümchen weg.“ Die Entjungferung: Szenen der Defloration, edited by Renate Möhrmann, Kröner, 2017, pp. 333-61.

2016

Hanrahan, Anna. “Narrating the Ballymun Experience in Dermot Bolger’s Ballymun Trilogy.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 99-114. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-101-116.pdf>

Rennhak, Katharina, editor. Narrating Ireland in Different Genres and Media. WVT, 2016. <https://www.efacis.eu/content/irish-studies-europe-vol-vii-narrating-ireland-different-genres-and-media>

Rennhak, Katharina. “Introduction: Narrating Ireland in Different Genres and Media.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 7-17. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-1-16.pdf>

Rennhak, Katharina. “Puzzling Narrative Identities and the Ethics of the Literary Imagination in Sebastian Barry’s ‘Dunne Series’.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 79-98. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-81-100.pdf>

2015

Becker, Daniel. Trans. “‘Fergus and the Druid” by William Butler Yeats.” Yeats Reborn: A European Translation Project 2014-2015. Peeters, 2015, pp. 38-39.

2013

Rennhak, Katharina. “Barry, Sebastian: The Secret Scripture.” Kindlers Neues Literatur Lexikon, edited by H.L. Arnold, Metzler, 2013. <www.kll-online.de>

Rennhak, Katharina. Narratives Cross-Gendering und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800 (Studien zur Englischen Romantik; Bd. 13). WVT, 2013.

Rennhak, Katharina. “The Politics of an Irish Cityscape; or Romantic Dublin as a Conspicious Absence.” Romantic Cityscapes: Selected Papers from the Essen Conference of the German Society for English Romanticism, edited by Jens Martin Gurr and Berit Michel, WVT, 2013, pp. 191-202.

Rennhak, Katharina. “Recent Ireland: Visions and Revisions of Irishness from the 1990s to Today: Introduction.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder, and Ilse Wischer, WVT, 2013, pp. 3-10. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>

Rennhak, Katharina, editor. Section “Recent Ireland.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder and Ilse Wischer, WVT, 2013, pp. 3-89. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>

2012

Kosok, Heinz. Inszeniertes Irland: Geschichte des irischen Dramas und Theaters. WVT, 2012.

2010

Rennhak, Katharina. „Moving Beyond Irish (Post)Colonialism by Commodifying (Post)Colonial Stage Irishness: Martin McDonagh’s Plays as Global Commodities.” Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English, edited by Rainer Emig, Rodopi, 2010, pp. 161-76.

2008

Kosok, Heinz. Explorations in Irish Literature. WVT, 2008.

2007

Kosok, Heinz. The Theatre of War: The First World War in British and Irish Drama. Palgrave Macmillan, 2007.

2002

Imhof, Rüdiger. A Short History of Irish Literature. Klett, 2002.

Imhof, Rüdiger. The Modern Irish Novel: Irish Novelists After 1945. Wolfhound Press, 2002.

1996

Imhof, Rüdiger, and Jochen Achilles, editors. Irische Dramatiker der Gegenwart. Wiss. Buchges, 1996.

1995

Feld-Nüßler, Annegret. Das dramatische Werk Walter Mackens: Entstehungskontext - Interpretation - Rezeption. Lang, 1995.

Kosok, Heinz. Plays and Playwrights from Ireland in International Perspective. WVT, 1995.

1994

Imhof, Rüdiger. Ireland: Literature, Culture, Politics. C. Winter, 1994.

1990

Imhof, Rüdiger, ed. Contemporary Irish Novelists. Narr, 1990.

Kosok, Heinz. Geschichte der anglo-irischen Literatur. Schmidt, 1990.

1989

Imhof, Rüdiger. John Banville: A Critical Introduction. Wolfhound Press, 1989.

Kosok, Heinz. Short plays from Ireland. Cornelsen Hirschgraben, 1989.

1987

Kosok, Heinz, and Wolfgang Zach, editors. Literary Interrelations: Ireland, England and the World. G. Narr, 1987.

Synge, John M., and Rüdiger Imhof. The Playboy of the Western World. Diesterweg, 1987.

1985

Imhof, Rüdiger, editor. Alive-Alive O! Flann O'Brien's "At Swim-Two-Birds." Wolfhound Press, 1985.

Kosok, Heinz. O'Casey the Dramatist. Colin Smythe, 1985.

1982

Drees, Roswitha. Die Darstellung irischer Geschichte im Erzählwerk Walter Mackens. Lang, 1983.

Kosok, Heinz. Studies in Anglo-Irish Literature. Bouvier, 1982.

1977

Kosok, Heinz, editor. Literaturen in englischer Sprache: E. Überblick über engl.-sprachige Nationalliteraturen ausserhalb Englands. Bouvier, 1977.

1972

Kosok, Heinz. Sean O'Casey: Das dramatische Werk. E. Schmidt, 1972.