Fakultät für Geistes- und Kulturwissenschaften

2022

Hanrahan, Anna, and K. Rennhak. "Walter Macken’s Adventure Novels and the Young Irish Republic." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 158-75.

Heinen, Sandra. "Looking at Ireland from the Outside: Walter Macken’s novel of migration I Am Alone (1949)." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 125-40.

Heinen, Sandra, and P. Martin-Bodynek. "'It must be wonderful to live in Ireland': Ralph Nelson’s film adaptation of Walter Macken’s Flight of the Doves." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 176-90.

Heinen, Sandra, and K. Rennhak. "Introduction: Walter Macken and the Sensations of the 'Little Man'."   Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 1-12.

Heinen, Sandra, and K. Rennhak, editors. Walter Macken: Critical Perspectives. Cork University Press, 2022. https://www.book2look.com/book/NvXqi8bp6O

Kerski, Eva. "Irish Identity and the 'Tinker' Trope in Walter Macken's Merchant's Road." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 56-73.

Rennhak, Katharina. "Concepts of History and the Little Man’s Nation in Walter Macken’s Historical Trilogy." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 105-24.

2021

Becker, Daniel. On the Threshold of Memory: National History and Liminal Remembrance in Contemporary Irish Poetry. WVT, 2021. <https://www.efacis.eu/content/irish-studies-europe-vol-ix-threshold-memory-national-history-and-liminal-remembrance>

Kalthoff, Katharina Andrea, and Leonie Windt-Wetzel: “Endangered Shorelines and Absent Solastalgia in Recent English, Irish, and Northern Irish Short Fiction.” Textpraxis, vol. 19, no. 1, 2021. <URL: https://www.textpraxis.net/katharina-kalthoff-leonie-windt-wetzel-endangered-shorelines, DOI: https://dx.doi.org/10.17879/68079404968>

Rennhak, Katharina. “At the Intersection of Gender Studies and Narratology: Contemporary Irish Women Writing Men.” Diegesis, vol. 10, no. 1, 2021, pp. 31-48.

2019

Kerski, Eva. “Lying as an Economic Strategy in Elizabeth Connor’s Plays The Dark Road and An Apple a Day.” Lügen, täuschen und verstellen, edited by Carmen Ulrich, and Carmen Prüfer, iudicium, 2019, pp. 131-47.

Rennhak, Katharina. „Romantik und Politik in Irland: ‚Nationalgeschichten‘ von Lady Morgan, Maria Edgeworth und Thomas Moore.“ Politisches Denken in der Britischen Romantik, edited by Jürgen Kamm, Nomos, 2019, pp. 223-46.

2018

Becker, Daniel. “14 Lines of Memory: The Sonnet as Memory Genre in Iggy McGovern’s Poetry.” Arbeiten aus Anglistik und Amerikanistik, vol. 42, no. 2, 2018, pp. 101-124.

Becker, Daniel. “The Debris of History: On Waste and The Past in Irish Celtic Tiger Poetry.” Études Irlandaises, vol. 43, no. 2, 2018, pp. 93-109.

2017

Rennhak, Katharina. “Begehrte Jungfräulichkeit: Blumenmotive, Blumenhandlungen und die Defloration in irischen Erzähltexten des 19. Und 20. Jahrhunderts.“ „Da ist ja das Blümchen weg.“ Die Entjungferung: Szenen der Defloration, edited by Renate Möhrmann, Kröner, 2017, pp. 333-61.

2016

Hanrahan, Anna. “Narrating the Ballymun Experience in Dermot Bolger’s Ballymun Trilogy.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 99-114. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-101-116.pdf>

Rennhak, Katharina, editor. Narrating Ireland in Different Genres and Media. WVT, 2016. <https://www.efacis.eu/content/irish-studies-europe-vol-vii-narrating-ireland-different-genres-and-media>

Rennhak, Katharina. “Introduction: Narrating Ireland in Different Genres and Media.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 7-17. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-1-16.pdf>

Rennhak, Katharina. “Puzzling Narrative Identities and the Ethics of the Literary Imagination in Sebastian Barry’s ‘Dunne Series’.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 79-98. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-81-100.pdf>

2015

Becker, Daniel. Trans. “‘Fergus and the Druid” by William Butler Yeats.” Yeats Reborn: A European Translation Project 2014-2015. Peeters, 2015, pp. 38-39.

2013

Rennhak, Katharina. “Barry, Sebastian: The Secret Scripture.” Kindlers Neues Literatur Lexikon, edited by H.L. Arnold, Metzler, 2013. <www.kll-online.de>

Rennhak, Katharina. Narratives Cross-Gendering und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800 (Studien zur Englischen Romantik; Bd. 13). WVT, 2013.

Rennhak, Katharina. “The Politics of an Irish Cityscape; or Romantic Dublin as a Conspicious Absence.” Romantic Cityscapes: Selected Papers from the Essen Conference of the German Society for English Romanticism, edited by Jens Martin Gurr and Berit Michel, WVT, 2013, pp. 191-202.

Rennhak, Katharina. “Recent Ireland: Visions and Revisions of Irishness from the 1990s to Today: Introduction.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder, and Ilse Wischer, WVT, 2013, pp. 3-10. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>

Rennhak, Katharina, editor. Section “Recent Ireland.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder and Ilse Wischer, WVT, 2013, pp. 3-89. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>

2012

Kosok, Heinz. Inszeniertes Irland: Geschichte des irischen Dramas und Theaters. WVT, 2012.

2010

Rennhak, Katharina. „Moving Beyond Irish (Post)Colonialism by Commodifying (Post)Colonial Stage Irishness: Martin McDonagh’s Plays as Global Commodities.” Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English, edited by Rainer Emig, Rodopi, 2010, pp. 161-76.

2008

Kosok, Heinz. Explorations in Irish Literature. WVT, 2008.

2007

Kosok, Heinz. The Theatre of War: The First World War in British and Irish Drama. Palgrave Macmillan, 2007.

2002

Imhof, Rüdiger. A Short History of Irish Literature. Klett, 2002.

Imhof, Rüdiger. The Modern Irish Novel: Irish Novelists After 1945. Wolfhound Press, 2002.

1996

Imhof, Rüdiger, and Jochen Achilles, editors. Irische Dramatiker der Gegenwart. Wiss. Buchges, 1996.

1995

Feld-Nüßler, Annegret. Das dramatische Werk Walter Mackens: Entstehungskontext - Interpretation - Rezeption. Lang, 1995.

Kosok, Heinz. Plays and Playwrights from Ireland in International Perspective. WVT, 1995.

1994

Imhof, Rüdiger. Ireland: Literature, Culture, Politics. C. Winter, 1994.

1990

Imhof, Rüdiger, ed. Contemporary Irish Novelists. Narr, 1990.

Kosok, Heinz. Geschichte der anglo-irischen Literatur. Schmidt, 1990.

1989

Imhof, Rüdiger. John Banville: A Critical Introduction. Wolfhound Press, 1989.

Kosok, Heinz. Short plays from Ireland. Cornelsen Hirschgraben, 1989.

1987

Kosok, Heinz, and Wolfgang Zach, editors. Literary Interrelations: Ireland, England and the World. G. Narr, 1987.

Synge, John M., and Rüdiger Imhof. The Playboy of the Western World. Diesterweg, 1987.

1985

Imhof, Rüdiger, editor. Alive-Alive O! Flann O'Brien's "At Swim-Two-Birds." Wolfhound Press, 1985.

Kosok, Heinz. O'Casey the Dramatist. Colin Smythe, 1985.

1982

Drees, Roswitha. Die Darstellung irischer Geschichte im Erzählwerk Walter Mackens. Lang, 1983.

Kosok, Heinz. Studies in Anglo-Irish Literature. Bouvier, 1982.

1977

Kosok, Heinz, editor. Literaturen in englischer Sprache: E. Überblick über engl.-sprachige Nationalliteraturen ausserhalb Englands. Bouvier, 1977.

1972

Kosok, Heinz. Sean O'Casey: Das dramatische Werk. E. Schmidt, 1972.

Weitere Infos über #UniWuppertal: