An Evening of Music and Literature: In Tune with Irish Writing: Tale of the Gael
An Evening of Music and Literature: In Tune with Irish Writing: Tale of the Gael
2023
Heinen, Sandra, Sylvie Mikowski, Lance Pettitt, and Katharina Rennhak, editors. Perspectives on the Irish Border, vol. 6.2 of RISE: Review of Irish Studies in Europe, 2023. https://doi.org/10.32803/rise.v6i2
Heinen, Sandra, Sylvie Mikowski, Lance Pettitt, and Katharina Rennhak. “Introduction.” RISE: Review of Irish Studies in Europe, vol. 6, no. 2, 2023, pp. 1-5. https://doi.org/10.32803/rise.v6i2.3235
Heinen, Sandra, and Oisín Kearney. “Staging the Border: Interview with Oisín Kearney.” RISE: Review of Irish Studies in Europe, vol. 6, no. 2, 2023, pp. 110-117, https://doi.org/10.32803/rise.v6i2.3232
Rennhak, Katharina. “The Kinopolitics of Recent Irish Border Fiction.” Anglistik, vol. 34, no. 3, 2023, pp. 53-67. https://doi.org/10.33675/ANGL/2023/3/7
Rennhak, Katharina. “Narrating Crises of Trust in Post-Celtic Tiger Fiction.” DIEGESIS, vol 12, no. 1, 2023, pp. 48-67. https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/download/466/647
2022
Hanrahan, Anna, and K. Rennhak. “Walter Macken’s Adventure Novels and the Young Irish Republic.” Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 158-75.
Heinen, Sandra. “Looking at Ireland from the Outside: Walter Macken’s Novel of Migration I Am Alone (1949).” Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 125-40.
Heinen, Sandra, and P. Martin-Bodynek. “‘It must be wonderful to live in Ireland’: Ralph Nelson’s Film Adaptation of Walter Macken’s Flight of the Doves.” Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 176-90.
Heinen, Sandra, and K. Rennhak. “Introduction: Walter Macken and the Sensations of the ‘Little Man’.” Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 1-12.
Heinen, Sandra, and K. Rennhak, editors. Walter Macken: Critical Perspectives. Cork University Press, 2022. https://www.book2look.com/book/NvXqi8bp6O
Kerski, Eva. “Irish Identity and the ‘Tinker’ Trope in Walter Macken’s Merchant's Road.” Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 56-73.
Link, Sarah J. “Toibin, Colm: Brooklyn.” Kindlers Literaturlexikon, edited by H.L. Arnold, Metzler, 2022. https://doi.org/10.1007/978-3-476-05728-0_23333-1
Rennhak, Katharina. “Concepts of History and the Little Man’s Nation in Walter Macken’s Historical Trilogy." Walter Macken: Critical Perspectives, edited by Sandra Heinen, and Katharina Rennhak, Cork University Press, 2022, pp. 105-24.
Rennhak, Katharina. “Maria Edgeworth, Ormond (1817).” Handbook of the British Novel in the Long Eighteenth Century, edited by Katrin Berndt, and Alessa Johns, de Gruyter, 2022, pp. 499-517.
2021
Becker, Daniel. On the Threshold of Memory: National History and Liminal Remembrance in Contemporary Irish Poetry. WVT, 2021. <https://www.efacis.eu/content/irish-studies-europe-vol-ix-threshold-memory-national-history-and-liminal-remembrance>
Kalthoff, Katharina Andrea, and Leonie Windt-Wetzel. “Endangered Shorelines and Absent Solastalgia in Recent English, Irish, and Northern Irish Short Fiction.” Textpraxis, vol. 19, no. 1, 2021. < https://www.textpraxis.net/katharina-kalthoff-leonie-windt-wetzel-endangered-shorelines, DOI: https://dx.doi.org/10.17879/68079404968>
Rennhak, Katharina. “At the Intersection of Gender Studies and Narratology: Contemporary Irish Women Writing Men.” Diegesis, vol. 10, no. 1, 2021, pp. 31-48.
2019
Kerski, Eva. “Lying as an Economic Strategy in Elizabeth Connor’s Plays The Dark Road and An Apple a Day.” Lügen, täuschen und verstellen, edited by Carmen Ulrich, and Carmen Prüfer, iudicium, 2019, pp. 131-47.
Rennhak, Katharina. „Romantik und Politik in Irland: ‚Nationalgeschichten‘ von Lady Morgan, Maria Edgeworth und Thomas Moore.“ Politisches Denken in der Britischen Romantik, edited by Jürgen Kamm, Nomos, 2019, pp. 223-46.
2018
Becker, Daniel. “14 Lines of Memory: The Sonnet as Memory Genre in Iggy McGovern’s Poetry.” Arbeiten aus Anglistik und Amerikanistik, vol. 42, no. 2, 2018, pp. 101-124.
Becker, Daniel. “The Debris of History: On Waste and The Past in Irish Celtic Tiger Poetry.” Études Irlandaises, vol. 43, no. 2, 2018, pp. 93-109.
2017
Rennhak, Katharina. “Begehrte Jungfräulichkeit: Blumenmotive, Blumenhandlungen und die Defloration in irischen Erzähltexten des 19. Und 20. Jahrhunderts.“ „Da ist ja das Blümchen weg.“ Die Entjungferung: Szenen der Defloration, edited by Renate Möhrmann, Kröner, 2017, pp. 333-61.
2016
Hanrahan, Anna. “Narrating the Ballymun Experience in Dermot Bolger’s Ballymun Trilogy.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 99-114. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-101-116.pdf>
Rennhak, Katharina, editor. Narrating Ireland in Different Genres and Media. WVT, 2016. <https://www.efacis.eu/content/irish-studies-europe-vol-vii-narrating-ireland-different-genres-and-media>
Rennhak, Katharina. “Introduction: Narrating Ireland in Different Genres and Media.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 7-17. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-1-16.pdf>
Rennhak, Katharina. “Puzzling Narrative Identities and the Ethics of the Literary Imagination in Sebastian Barry’s ‘Dunne Series’.” Narrating Ireland in Different Genres and Media, edited by Katharina Rennhak, WVT, 2016, pp. 79-98. <https://www.efacis.eu/sites/default/files/ISE%207_Rennhak%20VII-81-100.pdf>
2015
Becker, Daniel. Trans. ““Fergus and the Druid” by William Butler Yeats.” Yeats Reborn: A European Translation Project 2014-2015. Peeters, 2015, pp. 38-39.
2013
Rennhak, Katharina. “Barry, Sebastian: The Secret Scripture.” Kindlers Neues Literatur Lexikon, edited by H.L. Arnold, Metzler, 2013. <www.kll-online.de>
Rennhak, Katharina. Narratives Cross-Gendering und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800 (Studien zur Englischen Romantik; Bd. 13). WVT, 2013.
Rennhak, Katharina. “The Politics of an Irish Cityscape; or Romantic Dublin as a Conspicious Absence.” Romantic Cityscapes: Selected Papers from the Essen Conference of the German Society for English Romanticism, edited by Jens Martin Gurr and Berit Michel, WVT, 2013, pp. 191-202.
Rennhak, Katharina. “Recent Ireland: Visions and Revisions of Irishness from the 1990s to Today: Introduction.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder, and Ilse Wischer, WVT, 2013, pp. 3-10. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>
Rennhak, Katharina, editor. Section “Recent Ireland.” Anglistentag 2012 Potsdam: Proceedings, edited by Katrin Röder and Ilse Wischer, WVT, 2013, pp. 3-89. <http://www.wvttrier.de/top/Proceedings_2012_WVT.pdf>
2012
Kosok, Heinz. Inszeniertes Irland: Geschichte des irischen Dramas und Theaters. WVT, 2012.
2010
Rennhak, Katharina. “Moving Beyond Irish (Post)Colonialism by Commodifying (Post)Colonial Stage Irishness: Martin McDonagh’s Plays as Global Commodities.” Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English, edited by Rainer Emig, Rodopi, 2010, pp. 161-76.
2008
Kosok, Heinz. Explorations in Irish Literature. WVT, 2008.
2007
Kosok, Heinz. The Theatre of War: The First World War in British and Irish Drama. Palgrave Macmillan, 2007.
2002
Imhof, Rüdiger. A Short History of Irish Literature. Klett, 2002.
Imhof, Rüdiger. The Modern Irish Novel: Irish Novelists After 1945. Wolfhound Press, 2002.
1996
Imhof, Rüdiger, and Jochen Achilles, editors. Irische Dramatiker der Gegenwart. Wiss. Buchges, 1996.
1995
Feld-Nüßler, Annegret. Das dramatische Werk Walter Mackens: Entstehungskontext - Interpretation - Rezeption. Lang, 1995.
Kosok, Heinz. Plays and Playwrights from Ireland in International Perspective. WVT, 1995.
1994
Imhof, Rüdiger. Ireland: Literature, Culture, Politics. C. Winter, 1994.
1990
Imhof, Rüdiger, ed. Contemporary Irish Novelists. Narr, 1990.
Kosok, Heinz. Geschichte der anglo-irischen Literatur. Schmidt, 1990.
1989
Imhof, Rüdiger. John Banville: A Critical Introduction. Wolfhound Press, 1989.
Kosok, Heinz. Short Plays from Ireland. Cornelsen Hirschgraben, 1989.
1987
Kosok, Heinz, and Wolfgang Zach, editors. Literary Interrelations: Ireland, England and the World. G. Narr, 1987.
Synge, John M., and Rüdiger Imhof. The Playboy of the Western World. Diesterweg, 1987.
1985
Imhof, Rüdiger, editor. Alive-Alive O! Flann O'Brien's At Swim-Two-Birds. Wolfhound Press, 1985.
Kosok, Heinz. O'Casey the Dramatist. Colin Smythe, 1985.
1982
Drees, Roswitha. Die Darstellung irischer Geschichte im Erzählwerk Walter Mackens. Lang, 1983.
Kosok, Heinz. Studies in Anglo-Irish Literature. Bouvier, 1982.
1977
Kosok, Heinz, editor. Literaturen in englischer Sprache: E. Überblick über engl.-sprachige Nationalliteraturen ausserhalb Englands. Bouvier, 1977.
1972
Kosok, Heinz. Sean O'Casey: Das dramatische Werk. E. Schmidt, 1972.